You already have ways to spot whether an image, clip or audio has been altered, and whether an edit looks fair or designed to mislead. Today the question shifts: once something has been changed, what is that change doing to the person who sees or hears it? You will compare matched before-and-after pairs, name the exact edit, and say which reaction it is engineered to produce.
Manipulation is not only about truth or lies. It is also about feeling. Keep this three-part frame on every pair today:
Fair edit: makes something clearer without changing what happened.
Misleading edit: engineers a reaction the original would not have earned on its own.
You will meet the ideas on the first pair, not in a long talk. At least one piece today is a harmless, legitimate edit.
Work through the interactive activity as a class. Each item shows the altered post. The original is described in the instructions at the top - there is no second picture to look at. Read it first, then tap the zones to find what was changed.
For every zone you open, say out loud:
One of the pieces is a fair, legitimate edit. On that piece you are checking whether each zone is a persuasion trick or ordinary production work. Be ready to defend that call.
What changed (keep these visible while you work):
Edit one picture two ways so the same thing provokes two different reactions.
Every picture in the library says whether it is free to reuse, needs a credit, or is off limits. One of them will refuse to be used. Check before you place, and open Credits at the end for anything that needs crediting.
Start from one picture. Build two versions of it that make a viewer feel completely different things.
Mood and atmosphere and People and faces are where to look - a chair knocked over, an empty swing, someone caught mid-laugh. A picture that could be read more than one way is the one to take.
Version A first. Version B starts as a copy: change the crop, the brightness, what is covered, and the words - but never add anything that was not there.
Everything in both versions must be true. Write down, for each one, the reaction you are engineering and the single edit that does most of the work.
Your work saves as you go. Use the save button to keep a copy on your own device.
Pull the class together. What patterns did you find?
The critical point: spotting that something was changed is only half the skill. Naming what the change is doing to you is what protects your judgement when you decide what to believe or share.
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